electro/acoustic
Collaterally (2019)
audio work. 5.20 minutes

Based on samples from the "Collateral Murder" footage, Iraq 2007
Parallel Universes (2005)
for piano, cello and live electronics. Approx. 15 minutes
‍piano: Roberto Filoseta, cello: David Bahanovich
Powerful Machine (2001)
for tape solo. 11 minutes
performed at:
  • ISCM (International Society for Contemporary Music) World Music Days 2003, Slovenia
  • Excalibur Gallery, 2001, Stresa, Italy
Threnody (2001)
for tape solo, 8’ 18 minutes
performed at:
  • IV International Contemporary Music Contest “Città di Udine”, Italy, 2003
Bardo — existence between existences (2000)
for tape solo, 7’ 12 minutes
performed at:
  • ISCM (International Society for Contemporary Music) World Music Days 2002, Hong Kong
  • Sonic Arts Network Conference, 2001, Belfast, Northern Ireland
Chanson de Musique Concrète (1998)
for tape solo, 3’ 04 minutes
performed at:
  • En Red O - VIII Simposio de Música Electroacústica - Electric Songs, Centre de Cultura Contemporánia de Barcelona, 2000
Beginnings of ... (2003)
for tape solo, 21’ 47 minutes

From a recording session at Baas Manor – piano: Roberto Filoseta, percussion: Malcolm Smith, dance/movement/existential noises: Fabrizia Verrecchia
    The Door (2003)
    for tape solo, 4’ 44 minutes
      Considerations in Metal I (2001)
      for tape solo, 2’ 02 minutes

      From recordings of Derek Shiel's sound sculptures
        Considerations in Metal II (2001)
        for tape solo, 2’ 47 minutes

        From recordings of Derek Shiel's sound sculptures
          Disruption (2000)
          for tape solo, 2’ 22 minutes
            Scountryside (2000)
            for tape solo, 3’ 10 minutes
              Missa Solemnis (2000)
              for tape solo, 1’ 33 minutes
                Q-ST/5 (2000)
                for tape solo, 2’ 20 minutes
                  Soundbeams (1999)
                  for tape solo, 2’ 10 minutes
                    Moody Birds (1999)
                    for percussionist and tape, 3’ 04 minutes
                      Electric Prelude (1999)
                      for electric guitar and tape, 2’ 16 minutes
                        Fertility (1998)
                        for tape solo, 3’ 06 minutes
                          Genesis (1998)
                          for tape solo, 3’ 23 minutes